Panorama of Vienna.

Münster, Sebastian. "Anno Domini 1548. Viena Austriæ Hunc Habuait Situm." "Civitas Vienensis, Urbs metropolitana..."
"Vienna Austriæ metropolis, urbs toto orbe notissima celebratissima que. unicum hodie in Oriente contra sæuissimum Turcam invictum propugnaculum & fortalicum, expressa ad nostri æqum habet figuram." Basileae Henricum Petri 1552.
2 sheet woodcut panorama of Vienna from Sebastian Münster's famous "Cosmographia". Black and white; Latin title and text to verso of first plate, second plate with blank verso..
The large panorama on two double pages, un-joined, was engraved by Hans Rudolph Manuel Deutsch and Heinrich Holzmuller.[ both monograms appear in the second sheet, along with the date 1548 ] after a view by Wolfgang Lazius.
The major buildings are identified in the plate. Large decorative banner title to the sky, and coat of arms. 2 double pages, unjoined; good impression; side margins trimmed just entering plate [could be re margined]; small hole to upper and lower margin from binding; light water stain to lower blank margin of sheet 1and short upper centre fold split , repaired to verso; small rust mark to lower centre fold of sheet 2 and vertical crease to right side. Guards to verso of each sheet at centre fold .

Sebastian Münster 1488- 1552
was a German cartographer, cosmographer, and a Christian Hebraist scholar. His work, the Cosmographia from 1544, was the earliest German description of the world.
It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. The Cosmographiawas one of the most successful and popular works of the 16th century. It passed through 24 editions in 100 years. This success was due to the fascinating woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel), in addition to including the first to introduce "separate maps for each of the four continents known then-America, Africa, Asia and Europe." It was most important in reviving geography in 16th century Europe. The last German edition was published in 1628, long after his death.


During the 1530s and 1540s, most map production in Europe was coming from Basel, Venice, Paris, Zurich and Louvain, and Münster has been described as one of the principal players in the development of German geography and cartography. In 1540 he published an edition of Claudius Ptolemy's Geographia that included the standard 27 Ptolemaic maps augmented by 21 modern maps of his own creation including this map of the New World. The Geographia was reprinted in 1542, 1545, and 1552, all in Latin. Map scholar Ralph Ehrenberg said that "Münster's revision of Ptolemy's Geography is considered the culmination of Ptolemaic revisions." In 1544 Münster published his Cosmographia in Latin that included the map of the New World and many others. The Cosmographia was "one of the great publishing successes of the sixteenth century." One historian has stated that it was republished in five languages in forty six editions, the last in 1650. Map scholar Peter Meurer relays that that Münster's cosmography was accessible to those Czechs, Germans, French, and Italians who could read their vernacular languages. With this significant audience and maps that were relatively easy to read, he had a huge impact on the way large numbers of people were coming to imagine the world. In 1550 the Cosmographia was extensively updated with woodcuts of 68 maps and 910 town views, people, places and animals based on contributions from over 120 persons. The map featured here is from the 1550 Latin edition of the Cosmographia.
The explanation for the popularity of Mönster's Cosmographia involves recognition of the historical roots of the science of cosmography and its complex evolution in the sixteenth century as scholars attempted to incorporate the flood of new observational knowledge with classic modes of ordering the universe. The sources of new knowledge were diverse. In the year preceding the publication of Münster's Cosmographia (1543), the classic Aristotelian concept of the cosmos was challenged by Nicolaus Copernicus who "reordered the planetary spheres" in his De revolutionibus orbium coelestium by advancing the heliocentric theory of the universe. In that same year Andreas Vesalius published one of the most influential and groundbreaking books on human anatomy. Several European nation states were actively engaged in maritime exploration. Expansion of Spanish dominion in the Americas was rapid during this time. Historian Henry Wagner has noted that by about 1540, "Spanish discovery in the New World was largely complete." Increasing textual information on geographical discoveries and first encounters with native peoples demanded accompanying visual images. Münster's map of the New World provided an interpretation of the geography and topography described in textual accounts and a few prior maps. As with all maps throughout history, it was an abstraction of the represented territory, and it is of value to try to explicate each element of the map. However, in my opinion, the most important observation to make about the map was its truly remarkable role in creating geographical and geopolitical identity. As Ralph Ehrenberg has said, "Most Renaissance Europeans first viewed their world and new discoveries in America…through the eyes of the…German humanist Sebastian Münster and his major illustrated books, Geographia Universalis and Cosmographia Universalis."["Tabula nouarum insularum," by Sebastian Münster, 1538 [1550]. Analysis by Dr. James Walker.]
224 by 765mm [when joined](8¾ by 30 inches).   ref: 2824  €1000